Reckoning PF

Reckoning exhibit opening / My Grandmother’s Hands book release
Opening Reception: Saturday, September 9th
8pm to 12am // Free

Participating Artists: Jordan Hamilton, Sayge Carroll, Adrienne Doyle, Michael Cina, Jeremiah Ellison, Keegan Xavi, Lindsay Spicthal, Chaka Mkali, Shiraz Mukarram, Ashley Fairbanks, Sarah White

Runs through: September 24th, 2017

Join us at Public Functionary on Saturday, September 9th, 2017 to celebrate the release of Resmaa Menakem’s new book My Grandmother’s Hands and the opening reception for Reckoning, a multi-media group art exhibit addressing topics from Menakem’s book.


My Grandmother’s Hands introduces an alternative view of what we can do to grow beyond our entrenched racialized divide and takes readers through a step-by-step healing process based on the latest neuroscience and somatic healing methods. My Grandmother’s Hands is a call to action for Americans to recognize that racism is not only about the head, but also about the body. To help illustrate this Menakem has collaborated with visual artists and musicians to create a number of different access points for potential readers. In addition to the exhibit at Public Functionary an album (also addressing topics from My Grandmother’s Hands) produced by I Self Devine (Chaka Mkali) featuring a number of prominent Minneapolis musicians will be released at the end of September.


Reckoning is a multi-media exhibit organized by Resmaa Menakem (author) and Mike Bishop (PF co-director) in conjunction with the release of My Grandmother’s Hands. The exhibit was initiated to create a variety of ways for viewers to engage with topics from the book.

The artists included in the exhibit participated in a training led by Menakem about topics from My Grandmother’s Hands including intergenerational trauma, how trauma lives in the body, the individual and collective experience with white body supremacy in America, and how we can work towards healing this racialized divide. The participating artists then created new works based on their trainings as well as included existing work that fit with in the scope of the project. As the artists worked, they communicated with Menakem and Bishop about their thought process and intentions to ensure that they were creating work that was meant to call attention to or heal trauma — not cause more of it.

Reckoning, which will be on view from September 9th-September 24th, will include site specific installations, videos, paintings, soundscapes, photographs, murals and sculptures from artists who vary in experience when it comes to creating work about intergenerational trauma and healing.

Due to this exhibit dealing with traumatic content, the artists will provide additional context to help viewers better understand trauma and how they can work towards healing it individually and collectively.


Jordan Hamilton
Sayge Carroll
Adrienne Doyle
Michael Cina
Jeremiah Ellison
Keegan Xavi
Lindsay Spicthal
Chaka Mkali
Shiraz Mukarram
Ashley Fairbanks
Sarah White


Exhibit Run: September 9th – 24th
Opening Reception: Saturday, September 9th // 8pm-12am
Gallery Hours: Tuesday / Thursday 1pm-6pm

Free & Open to the Public

Public Functionary
1400 12th Ave NE
Minneapolis, MN 55413
(Enter on Buchanan)

Additional Information:


Pop-up exhibition viewing hours:

Thurs, July 6 / 1pm – 6pm
Friday, July 7 / 1pm – 6pm
Saturday, July 8 / 12pm – 5pm
Wed, July 12 / 1pm – 6pm

Thurs, July 13 / 1pm – 9pm (artist conversation 7pm)
Friday, July 14 / 1pm – 6pm

Artist Conversation: Thursday, July 13 / 7pm


The Shop: an exhibition based on the iconography and culture of the Black barbershop.

The Shop is a multi-media art exhibition based on the iconography and culture of the Black barbershop. The exhibition recalls the Afro-centric rumination central to the barbershop experience. Black hair, historically an object of ridicule, has evolved into a symbol of pride and rebellion. The barbershop is a microcosm of the African American experience. It is a place where past, present and future combine and authenticity is valued most.

The works will showcase a wide array of artistic disciplines including paintings, photography, screen prints, drawings and digital art, sharing different perspectives in response to the importance of the barbershop experience to the Black community. The show will feature both emerging and established Black artists creating work around the theme, a rare cross-generational collective show highlighting African American artists collectively engaging with the broader MN arts scene.

The Shop is curated by CRICE Kahlil.

The Shop includes work by: Noah Lawrence-Holder, CRICE Khalil, Seitu Jones, Candice Davis,
Ta–coumba T. Aiken, Emma Eubanks, Bobby Rogers, Keith Williams.

About the Artists

Noah Lawrence-Holder
is an animator and illustrator from Madison, WI. His work explores black identity, beauty and the intersection of race and gender.

Seitu Jones has created over 30 large-scale public art works on his own or in collaboration. He’s been awarded a Minnesota State Arts Board Fellowship, a McKnight Visual Artist Fellowship, a Bush Artist Fellowship, a Bush Leadership Fellowship, and a National Endowment for the Arts/Theater Communication Group Designer Fellowship. In 2014, he integrated artwork into three stations for the new Greenline Light Rail Transit system in the Twin Cities. A 2013 Joyce Award, from Chicago’s Joyce Foundation allowed Seitu to develop CREATE: The Community Meal, a dinner for 2,000 people at a table a half a mile long.

Ta–coumba Aiken is a Twin Cities artist, arts administrator, educator and community activist who focuses on public art and collaborative projects. His “rhythm paintings” on paper and canvas are loose and lively. He has participated in the creation of over 300 murals and public art sculptures with themes ranging from local history to the artist’s own style of rhythmic pattern and spirit writing. He has been the recipient of awards including a Pollock–Krasner Foundation Fellowship and a Bush Foundation Visual Arts Fellowship. His works can be found in public and private collections including those of the Walker Art Center, General Mills, Herbie Hancock, Taj Mahal, and Maya Angelou.

Candice Davis
is a multidisciplinary, conceptual artist from San Antonio, Texas currently residing in Minneapolis, Minnesota. Through primarily digital media, installation, and performance, her work focuses on engaging audiences with social issues. Davis prioritizes accessible distribution of social and political messages in her practice. She has exhibited work at The Soap Factory and Minneapolis College of Art and Design’s Gallery 148 in Minneapolis and the Reynolds Gallery in College Station, Texas. She is currently working towards a BFA in Web + Multimedia Environments at the Minneapolis College of Art and Design. Davis is the President of MCAD’s Black Artist Student Union and co-established an annual Potluck for People of Color at the college.

Emma Eubanks is an illustrator from St. Paul. Her work is inspired by growing up in the Twin Cities, as well as the issues that black youth face. Through focusing on the ordinary, she depicts the beauty that can be found in the mundane realities of city life. An important aspect of her body of work is the exploration of the broad range of relationships between black youth, and they way interact with our city.

CRICE Kahlil is a Minneapolis College of Art and Design alumni living in Southside Minneapolis. He gains his inspiration from hip-hop and graffiti to document the issues and motifs of pan-Africanist realities through his art. He uses these themes as a lens to view and display his thoughts and experiences with race, class, and “the American dream.” Authenticity is the driving force in his art. He is always thinking about how art interacts in an urban environment, the temporality of art in the streets, and how the public views and interacts with a piece. Currently his focus is in painting and screen-printing, and the interplay between those mediums. He has also been experimenting with wheat paste-ups, mural painting, and other forms of public art.

Bobby Rogers is a visual artist whose work portrays both the vivid richness of communities of color and a personal fascination with futurism. His images are bold statements that capture the beauty and power of color that has often been overlooked & excluded. It’s provocative, emotional, and fairly cosmic all at once—with a vision that runs the gamut from the emotionally representative to the far-flung realm of dreams.

Keith Williams
is a Kansas City born Minneapolis transplant. He is traditionally a trained artist that has found a love for creating beyond the traditional. Keith has spent the last eight years creating in the digital and advertising world. Though working for brands and startups was an invaluable experience, his love for painting and fine art never left. His work revolves around symbolism and the connections that are made from iconography and familiar imagery. Keith uses simplicity within color and imagery to explore and explain more complex ideas and issues of identity, constructs, race and the human condition. His background in digital has recently influenced his creative process.

CRICE Kahlil is a fiscal year 2017 recipient of an Artist initiative grant from the Minnesota State Arts Board. This activity is made possible by the voters of Minnesota through a grant from the Minnesota State Arts Board, thanks to a legislative appropriation from the arts and culture heritage fund.